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Mr Lawrence looked at the clock which was affixed to the house at the end of the wharf in which Captain Acton had his offices, and was about to leave the ship to make his way to "The Swan," when a man who had been standing a few moments on the quay side at the foot of the gangway boards, stepped across and saluted him. Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles. "Where did the boy go?" he asked. "He must have been wet to the skin." "Why, there he is now," she cried, glancing through the window. "Maurice isn't with him, though. I know that old punt as far as I can see it. I must get the potatoes and bacon on; he'll be hungry as a bear.".